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Intaglio molds4/5/2023 ![]() ![]() For Max, it was a quick jump from learning to teaching. Max accepted the offer and began teaching his own art class. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. After a few months, Hal and Max became good friends. Max began attending these classes where he learned how to draw figures. ![]() Max took him up on the offer and began observing the weekly class.ĭuring the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. When Max found Hal, he asked Hal if he could join his class. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events.Ĭonsequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max recalls the day when his interest in art took a new direction. He built a clientele and in 1973, he moved his machine shop to Glendale, California. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He ultimately decided he could create his own machine shop to make molds. Max said he could and he looked around for a business to work with for this task. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. A year later, Max began producing plastic parts through his own business. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. This lasted about 10 years until the Colby building caught fire and burned down. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. After completing high school, Max went to work laying rail until he was inducted into the U.S. In 1938, when Max was 13, his family moved to Midvale, Utah. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. ![]() His father was Lance Howard Turner and his mother Mary Irene Turner. Max Turner was born in Omaha, Nebraska on July 28, 1925. Max Lamar Turner Painter, Sculptor, Teacher and Author. Paintings acquired from the artist.s estate. Biography from the niece of the artist from during his lifetime. ![]()
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